Cultural constructions, stifled pulses and the human condition at its most bizarre are at the centre of the work.
On stage, it uncompromisingly confronts choreographic and dramaturgical dichotomies: the graceful and the dissonant, the comic and the tragic, the grotesque and the transcendent.
Pop culture, philosophy and the theatre of the absurd strongly influence and inspire the making of the work, so that dance becomes a tool to stimulate our imaginations and to question what is beyond us: this intangible and immaterial thing that makes us wholly human.